Minority Report (Spielberg, 2002)

OK, it has some silly action scenes. Yes, its casting only makes sense from a marketing perspective. But once we’ve finished rolling our eyes we’re left with a very cool premise, a pleasingly complicated plot, some excellent cinematography, Samantha Morton gripping like a vice, and a defensible alternate reading of the whole third act (that everything after Anderton gets halo-ed is his stasis pod fantasy). There is far more to enjoy here than to sneer at.

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